“Font” is often confused with the word “text.” Font is like handwriting for typed characters, while text IS the typed characters. The creation and use of fonts is fascinating, and I believe it can make or break a logo more than any other specific element. So what does your logo font say about your company?
To Serif, or not to Serif?
First, there are different styles of fonts to consider. Should it look like handwriting? Should there only be upper case letters? One of the things to decide is whether or not to use a font with serifs. Serifs are the tags or tails on the ends of letters. If a font is Sans-Serif that just means it doesn’t have the little tails on the letters. To demonstrate with a visual example, see the way Logoworks is written out below:
These are two different Serif fonts – the top one is Times New Roman and the bottom one is Trajan Pro. Both of these are very commonly used fonts, and you can especially see the little tails on the ends of the L and the W. Serif fonts make a brand seem more established, serious and high-end (think about the Prudential or Tiffany & Co logos, or most university logos).
Now compare those above to these below:
These are two different Sans-Serif fonts – the top font is called Street (the very font used in Logoworks’ logo!) and the bottom one is the hugely-popular font Helvetica. Sans-serif fonts are versatile and clean, and they are widespread with online companies such as Facebook, YouTube, LinkedIn, Flickr, eBay–the list goes on and on. Big companies like Delta Air Lines and Yahoo! have recently rebranded from serif fonts to sans-serif fonts.
Space cowboys; Kerning & Tracking
After a style of font is decided upon (whether it be script/ block, thin/thick, all-capital letters, etc), a designer addresses the natural spacing in between the letters. The spacing between two letters is called Kerning, and it should balance well enough that the words are clearly readable. Each font is created with an automatic kerning. The characters A and V demonstrate kerning quite well:
The top example shows Helvetica with no adjustments. See how the left-most point of the V overlaps the right-most point of the A? This is because the V looks better when it’s nestled more against the A. The bottom AV shows what it would look like if the letters were kerned so they don’t overlap. Here is another visual – below is the word “gave” spelled out, in the natural kerning of Helvetica:
Tracking is the overall spacing between all the letters on a line. Tracking isn’t specific to each font, and can be adjusted by the graphic designer to make the specific logo text balanced.
Skilled graphic designers will adjust the kerning and tracking on your logo so the lettering is balanced and communicates your brand well.
The Sum of All the Parts
One of the key attributes of a great logo is having your name (your brand) be memorable. In order for the human memory to retain it, first the words must be recognizable. If a font is confusing, if there are too many fonts used or if it’s too small, the name will get lost. Whether the font in your logo is script or block, thick or thin, on a straight line or on a curve, don’t let your brand fall victim to a font faux pas. Instead, let the design experts optimize your brand by making sure your font works.